Tobacco History:
The Social History of Smoking
by George Latimer Apperson
First published in 1914
"The Social History of Smoking" by George Latimer Apperson, can be purchased at Amazon.com in two different versions. Depending on the quality of the edition, prices range between $35 and $104.
From Chapter 2: Perhaps the most noteworthy thing about smoking at this period, from the social point of view, was its fashionableness. One of the marked characteristics of the gallant—the beau or dandy or "swell" of the time—was his devotion to tobacco. Earle says that a gallant was one that was born and shaped for his clothes—but clothes were only a part of his equipment. Bishop Hall, satirizing the young man of fashion in 1597, describes the delicacies with which he was accustomed to indulge his appetite, and adds that, having eaten, he "Quaffs a whole tunnel of tobacco smoke"; and old Robert Burton, in satirically enumerating the accomplishments of "a complete, a well-qualified gentleman," names to "take tobacco with a grace," with hawking, riding, hunting, card-playing, dicing and the like. The qualifications for a gallant were described by another writer in 1603 as "to make good faces, to take Tobacco well, to spit well, to laugh like a waiting gentlewoman, to lie well, to blush for nothing, to looke big upon little fellowes, to scoffe with a grace ... and, for a neede, to ride prettie and well."
From Chapter 5: These seventeenth-century pipes were largely made in Holland of pipe-clay imported from England—to the disgust and loss of English pipe-makers. In 1663 the Company of tobacco-Pipe Makers petitioned Parliament "to forbid the export of tobacco pipe clay, since by the manufacture of pipes in Holland their trade is much damaged." Further, they asked for "the confirmation of their charter of government so as to empower them to regulate abuses, as many persons engage in the trade without licence." The Company's request was granted; but in the next year they again found it necessary to come to Parliament, showing "the great improvement in their trade since their incorporation, 17 James I, and their threatened ruin because cooks, bakers, and ale-house keepers and others make pipes, but so unskilfully that they are brought into disesteem; they request to be comprehended in the Statute of Labourers of 5 Elizabeth, so that none may follow the trade who have not been apprentices seven years."
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Tobacco and Cigarettes
From Chapter 9: Pendennis, when he comes home the first time from Oxbridge, brings with him a large box of cigars of strange brand, which he smokes "not only about the stables and greenhouses, where they were good" for his mother's plants, and which were obviously places to which a man who wished to smoke should betake himself, but in his own study, which rather shocks his mother. Pen goes from bad to worse during his University days, and, sad to say, one Sunday in the last long vacation, the "wretched boy," instead of going to church, "was seen at the gate of the Clavering Arms smoking a cigar, in the face of the congregation as it issued from St. Mary's. There was an awful sensation in the village society. Portman prophesied Pen's ruin after that, and groaned in spirit over the rebellious young prodigal." Later the smoke from Warrington's short pipe and Pen's cigars floats through many pages of the novel.
From Chapter 15:The figure was usually made with a snuff mull in his hand—the highlander being always credited with a great love and a great capacity for snuff-taking. But one curious example was furnished, not only with a mull but with a bat-like implement of unknown use. Mr. Arthur Denman, F.S.A., writing in Notes and Queries, April 17, 1909, said: "I have a very neat little, genuine specimen of the old tobacconist's sign of a 42nd Highlander with his 'mull.' It is 3 ft. 6 in. high, and it differs from those usually met with in that under the left arm is an implement almost exactly like a cricket-bat. This bat has a gilt knob to the handle, and on the shoulder of it are three chevrons in gold, without doubt a sergeant's stripes. On the exposed side of the bat is what would appear to represent a loose strip of wood. This strip is nearly one-third of the width of the instrument, and extends up the middle about two-fifths of the length of the body of it. I can only guess that the bat was, at some time, primarily, an emblem of a sergeant's office, and, secondarily, used for the infliction of chastisement on clumsy or disorderly recruits; and perhaps it was equivalent to the Prügel of German armies, with which sergeants drove lagging warriors into the fray. But is there any record of such an accoutrement as being that of a sergeant in the British army? and what was the purpose of the loose strip, unless it was to cause the blow administered to resound as much as to hurt, as does the wand of Harlequin in a booth."